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NTSC, PAL and SECAM are the analog television standards that are used worldwide. The letter “T” is used for NTSC video recordings, whereas the letter “E” is used for PAL or SECAM ones. When purchasing blank VHS cassettes, the lengths of tape are well defined and are labeled with the letter “T” followed by a number, representing the recording time at SP speed mode. The most common and standard cassette size is about 18.7 cm (7.4 inches) by 10.2 cm (4.0 inches) by 2.5 cm (1 inch). VHS cassettes make use of half-inch wide tape. There are four basic formats of VHS cassettes: standard VHS, compact VHS (or VHS-C), super VHS (or S-VHS), and compact S-VHS (or S-VHS-C). For many years, VHS was in widespread use Footnote 2 and is consequently the most prevalent video format found in heritage institutions. Footnote 1 VHS boomed in the pre-recorded video market and blank tapes were popular for recording television programs in the home and for use with camcorders. Eventually, VHS won the format war and Betamax slipped into obsolescence. Both formats competed against each other in the marketplace during the latter part of the 1970s and into the 1980s.

A rival format was Sony’s Betamax, introduced in 1975. In 1976, JVC launched the VHS format aimed at the consumer market.

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Appendix E: Equipment Costs for Each Digitization Set-upĪVI audio video interleaved BD-R recordable Blu-ray disc CPU central processing unit DV digital video DVD digital versatile disc DVD-R and DVD+R recordable digital versatile disc DVD-RW and DVD+RW rewritable digital versatile disc EP extended play HD high definition HDD hard disk drive HQ high quality JVC Victor Company of Japan LAN local area network LP long play LTO linear tape-open MPEG Moving Pictures Experts Group NAS network-attached storage NTSC National Television System Committee PAL Phase Alternating Line PCI Peripheral Component Interconnect PCM pulse-code modulation PVR personal video recorder RAID redundant array of independent discs RF radio frequency RH relative humidity SECAM "séquentiel couleur à mémoire" SLP super long play S/N signal/noise SP standard play SSD solid state drive S-VHS super VHS S-VHS-C super VHS compact S-VHS-ET super video home system expansion technology S-video separate video TBC time base corrector UPS uninterruptible power supply USB universal serial bus VCR video cassette recorder VHS video home system VHS-C compact video home system VOB video object XP high quality Units of Measureī bit B byte dB decibel Hz hertz Introduction.

Appendix D: Approximate Capacity (TB) Required for Various Hours of Digitized Video and Cost of Media for Storage.

Appendix B: Specifications for Digitizing Standard Definition Analog Video and Recommendations for Producing Digital Preservation Masters.

Appendix A: Problems That May Be Encountered When Playing Back VHS Tapes and Possible Remedies.Care of Tapes – Storage and Handling Requirements.Backups, Masters, Edited Masters and Access Files.Disadvantages of Digitization Set-up Three.

Advantages of Digitization Set-up Three.

Completing the digitization capture process.

Digitization Set-up Three: conversion to a digital file with an internal video capture card.

Disadvantages of Digitization Set-up Two.

Monitoring and completing the digitization capture process.

Digitization Set-up Two: conversion to a digital file with an external capture device.

Disadvantages of Digitization Set-up One.

Digitization Set-up One: conversion to DVD.

Evaluation of Tape and Cassette Condition.

Overview of the In-House Digitization Workflow.

He researches the deterioration, longevity, stability, disaster recovery and storage of electronic media, such as optical discs, magnetic tapes and disks, and flash media. Joe Iraci is a Senior Conservation Scientist at CCI.

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It is intended to assist small to mid-size heritage institutions that lack the funds for professional digitization. This Technical Bulletin provides information and procedures for digitizing VHS videotapes. If the information recorded on VHS videotape is to remain accessible, it must be migrated to new technology.

Unfortunately, like other magnetic tapes, the preservation of VHS videotape faces certain key challenges: it has a finite lifetime before degradation occurs its playback technology is nearing its end-of-life and the expertise to repair playback equipment is disappearing. Often, this is the dominant video format found in these institutions because it was an economical and simple method for video recording. Most archives, libraries and other heritage institutions have VHS videotapes in their collections. Technical Bulletins are published at intervals by the Canadian Conservation Institute (CCI) in Ottawa as a means of disseminating information on current techniques and principles of conservation of use to curators and conservators of Canada’s cultural artifacts and collection care professionals worldwide.